IZotope Ozone 4.01

IZotope Ozone VST DX RTAS 4.01 [PC / MAC Version]
IZotope Trash VST DX RTAS v1.08
IZotope Spectron VST DX RTAS v1.08
Mastering with Ozone Video Tutorial

Ozone 3 includes all the tools you need to master the commercial sound in seconds. Professionally designed presets and the acclaimed Ozone Mastering Guide walk you step by step through making radio-ready masters.

Key Features

* Complete mastering system in a single plug-in

* Includes seven essential mastering tools: Loudness Maximizer, Paragraphic EQ, Multiband Dynamics, Multiband Stereo Imaging, Harmonic Exciter, Dithering, Mastering Reverb

* Analog-modeled processing combined with linear phase precision

* Elegant, highly efficient user interface

* Extensive metering and spectrum analysis tools help you get better results

* Comprehensive preset manager with over 100 professionally designed presets and new MacroPresets

* User-definable signal routing

* Extensive automation support

* CPU-efficient and optimized for today's low-latency DAW environments

* Powerful mid/side processing tools

* Supports sampling rates up to 192kHz

* Documentation that helps demystify the mastering process

New in Ozone 4

Presets

* New Preset Manager with improved workflow. Undock it to a floating window so you can work with presets while tweaking Ozone's modules
* 140 professionally designed presets help you get results faster than ever before
* MacroPresets—each preset now contains one or more MacroFaders that allow you to quickly tweak a preset's sound without leaving the preset manager
* MacroPreset Editor lets you link multiple parameters from Ozone's modules to your own custom MacroFaders
* Preset Folders help you find the perfect starting point faster, and you can organize your own presets any way you like

Workflow

* Beautifully redesigned graphical user interface with controls and labels that are easier to work with on high-resolution displays
* Module Amount Controls allow you to intelligently apply more or less of each module quickly and easily
* Global Amount Control lets you dynamically apply more or less of Ozone's processing with one single control
* Significant optimizations throughout Ozone to reduce CPU usage, especially when making changes to parameters
* Automatic Bypass Gain control enables Ozone to match its own effective gain when bypassed letting you A/B processed and unprocessed audio at the same perceived loudness
* Bypassed modules are grayed and display a blinking red "bypass" indicator (optional) to make it easier to see which modules are inactive
* Bypass or Solo mid and side channels as you work to hear the effect each module has on the soundstage
* Fader Compare—shift click any fader to jump between its current and last value for quick A/B comparisons
* Keyboard shortcuts in Ozone can be partially or fully disabled—useful if Ozone shares shortcut keys with your host application

Paragraphic EQ

* Redesigned interface for better workflow
* Mid/Side equalization with Bypass/Solo controls and transparent, color coded EQ curve displays
* Info Panel can now be docked at the bottom of the EQ display and does not hide the EQ's controls and spectrum analyzer
* EQ nodes are now numbered for easier automation and adjustment
* Select and drag multiple EQ nodes to adjust their gain, frequency and Q relative to each other
* Significant CPU optimizations—changes to the EQ require less CPU overhead

Mastering Reverb

* Mid/Side support for both Plate and Room reverb modes—adjust reverb separately on center and edges of your audio
* Improved metering

Loudness Maximizer

* New "Intelligent II" mode offers superior processing quality on transient source material—get loud, full mixes without distortion and pumping

Harmonic Exciter

* New Warm mode produces only even harmonics with a fast decay rate, adding another unique color to Ozone's Harmonic Exciter
* Mid/Side processing is available for all algorithms and bands

Multiband Dynamics

* Auto gain compensation—automatically sets the makeup gain to compensate for changes in loudness due to dynamics process
* Mid/Side support for all bands and meters
* Mix Control provides built-in parallel compression
* Includes global controls for all bands as well as separate controls for mid/side in each band

Stereo Imaging

* Improved metering including redesigned vectorscope and correlation meter
* Meters can now fade out their history rather than their old infinite hold behavior

Crossover

* New Hybrid Crossover algorithm—combines Analog and Digital methods, offering analog character with perfect reconstruction characteristics
* Learn function will evaluate the incoming source material and find natural crossover points automatically
* Significant CPU optimizations—changes to crossover frequencies require less CPU overhead
* The Mute control on each band has been converted to a Solo control for improved workflow
* Crossover cutoff values can be keyed in manually by double-clicking the readouts and typing

Input/Output and Metering

* Complete K-System metering support, as specified in popular publications by Bob Katz
* Completely redesigned Input/Output Meters offer improved ballistics and joint RMS and Peak metering modes
* Meters can detect inter-sample peaks for metering of true analog peak levels
* Gain can be entered numerically by double-clicking the gain readouts
* Linear and non-linear dB scale options
* Selectable metering source—choose between stereo and mid-side meters.